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Called EHX for short, the company was founded by Mike Matthews in New York City back in , around the time that effects pedals were starting to enter the mainstream. That got Electro-Harmonix in on the ground floor, and they’ve gone on to become synonymous with rock and roll. EHX has been a leading influence on the pedal industry since the mid to late s, when they helped to pave the way in shaping effects pedals as we know them today. By creating the first stompbox that could deliver the power guitarists needed in an economical package, Electro-Harmonix broke new ground in introducing musicians of all levels to the possibilities offered by effects pedals. Most seasoned guitarists could tell quite a few stories about performing with the early Memory Man, Electric Mistress and Hot Tubes pedals. Even if you’ve never heard of this pedal by name, it’s almost a guarantee that you’ve heard it in action. Rounding out the list are even more artists including David Gilmour, The Edge, Billy Corgan and Jack White – it says a lot about this pedal that its roster of users reads like a who’s who of the last few decades in popular music.

Electro-Harmonix Effects Pedals

See the lowest price on eBay. The first thing to point out about the Deluxe Big Muff is that it easily captures the classic Big Muff Pi sound, making it immediately worthy of its namesake. Dialing in the Gate just a little higher ensures a very quick response between your riffs for tight stabs of saturated Muff goodness. The Attack control may seem underrated at first, but it actually gives the Deluxe Big Muff Pi a very unique feel compared to other Muff style fuzz pedals.

The Attack control adds an essential vitality to the Deluxe Big Muff Pi, and I find myself usually preferring to max it out for more transient articulation. This may be fine in a band setting with another guitarist or if you just want a cutting treble-focused sound, but sometimes guitarists may wish for a little more low-end presence.

Several variations of the Big Muff Pi followed throughout the s. As of [update] Electro-Harmonix produced a reissue assembled in New York City ; until it produced a version made by Sovtek in Russia which provided a slightly different tone.

It has also been described as one of the most articulate Muffs, with a clarity that many of the later Muffs seemed to lack. However, it should be clearly stated that there is no ‘one’ Triangle Big Muff tone. There is more variance from unit to unit than any other version due to the wide variety of component values used in the circuit, changing several times a year. It is very rare to find two Triangles with exactly the same values. It should be noted that the only real difference between the V1 and V2 Big Muff was the enclosure.

They both spanned the same wide range of possible sounds. In the extreme ranges you may find some are very dry and fuzzy sounding, some gritty and fat, some thin and gainy, some thick but smooth, et cetera. The wide variety in sounds is one reason these Triangle Big Muffs are so collectible. The reason many people say the Triangle is the best version of the Big Muff is probably due to a few circuit traces that circulated for several years, which most clones were based on.

Those few circuit traces were just a couple out of dozens of traces that could be made of V1 Big Muffs randomly pulled off the production line on any given week.

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At the time, many players preferred the organic tone of the transistor circuit as they are undeniably closer in behavior and tone to a traditional fuzz, but some players loved the heavier, more aggressive nature of the ICs. While Big Muff circuits have always been somewhat woofy in the low end, V4 was especially known for its bass-heavy tone. In the case of the review unit, I found it to have more bass than a standard NYC Big muff Pi, but not necessarily more than the aforementioned and reviewed Green Russian.

The Sustain control dials in the distortion, with incremental increases in gain and sustain. The Tone switch entirely bypasses the tone section of the effect, resulting in an even more brash and unleashed distortion that sounds more aggressive and fuller. The high-end sizzle is backed off and the decay has a more amp-like feel to it with less gating.

Oct 12,  · I picked up a Bif Muff at my local shop today It was priced as used, and at first I thought it was just a NYC RI However, it was sitting in the.

Transistors and electrolytic caps added. Board fully populated Screen printed design on the case Fit test pt1: Ensuring board fits nicely between switch and LED before removing the cover on the adhesive stand offs. Ah well, still looks sweeeeeet! Everything fits nicely after a little filing down of some of the holes that had reduced in size slightly when painting the case.

Now to remove the jacks and solder the pots to the board first. Gut shot with outer view of jacks Fit test complete! Looks great on the outside and fits together fine on the inside Internal wiring pt1: Pots wired to board. Input and output wires soldered to footswitch. Jacks and battery clip added, switch fully wired. Now to hook it up n test it.

Big Muff Pi

Thousands of these things were sold to crazed guitarists around the world seeking that down and dirty sound that only a Big Muff could deliver. The Big Muff was a mainstay of EH almost since the company’s beginnings. In its long history, it went through several changes which I shall discuss here. The famous “triangle knob” version, so called because of the triangular arrangement of the knobs Figure 1. This is the smallest of the Big Muffs, only slightly larger than a Small Stone.

Mar 17,  · Big Muff Pi With Tone Wicker This version is a slight variation of the original Big Muff Pi in two ways. The basics are the same and it still definitely has all of the punch the muff is known for.

This is more an adaptation than a verbatim clone, but will give you the same results. The original used a CD quad bilateral switch to do the Tone Wicker switching which seems very much like an unnecessary inclusion when you consider all it is doing is bypassing the p base collector capacitors, so it seemed that instead of using a DPDT switch and CD with the associated increase in required board space, it makes much more sense to simply use a 3PDT toggle for exactly the same results.

Info about the original from Electro Harmonix: The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch — or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam.

Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone.

Electro-Harmonix Big Muff Pi Effect

It is described by the company as “the finest harmonic distortion-sustain device developed to date”. Originally this was intended to be a pedal that would mimic the fuzz tones of Jimi Hendrix and other guitarists at the time, but the result was a mix of a fuzz and distortion pedal with a very heavy sound. Although the first Big Muff production date was for many years cited as , the first version of the Big Muff was actually sold in as a hand-made “perf board” version.

A production version with an etched PCB board was made in early As of [update] Electro-Harmonix produced a reissue assembled in New York City ; until it produced a version made by Sovtek in Russia which provided a slightly different tone. The Bass Big Muff replaced the Russian version.

Nov 07,  · Of all their effects, Electro-Harmonix is probably best known for the Big Muff Pi. Even if you’ve never heard of this pedal by name, it’s almost a guarantee that you’ve heard it in action. A pedalboard staple for guitarists like Kurt Cobain, Pete Townshend and Ace Frehley, the Big Muff Pi has played a crucial role in rock history.

While it shouldn’t be that hard to take one of my previous layouts of the BMP and make the value changes, I thought I’d make a more detailed project than I normally do. First, let’s start with the schematic. The only difference between versions is a handful of component values. Generally, the circuit was tweaked to work with whatever Mike Matthews had on hand. As a result, there are about 18 different variations produced by Electro-Harmonix.

Now, not all of those variations sound all that good. But over the years several really good sounding Muffs have been traced and their component values posted on the web mostly on Kit Rae’s awesome Big Muff site. The 4 versions specified in this project seem to be some of the most popular and best sounding Muffs.

The component names in the schematic above correlate to this layout:

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Oct 08,  · The Electro Harmonix Big Muff Pi is a legend among guitar a legacy dating back over 40 years, the BMP is a long-standing force to be reckoned with.

Nov 27, mmd said: What HAS worked is using a compressor in front of a fuzz. I use the Big Muff Pi a lot. A good fuzz should be your drive. It’s nasty, abrasive, and can be ugly. To my ear, Orange amp overdrive is very near to fuzz anyway obviously NOT full-on fuzz, but similar characteristics. Are you wanting MORE fuzz? If you’re attempting to get more saturation from the Muff, put a compressor in front of it.

That will boost the signal hitting the gain stage. When you add the fuzz in front of drive, the signal is already brutalized – usually a square wave – so what the AMP is driving has already been “tortured” It makes sense, but I’m having a hard time getting things set up in a convenient way. I like the Orange distortion for my main tone, and I use the DS-1 to add a bit of bite and a little more distortion.

I want to be able to add the Big Muff to the Orange distortion to push it into full-on fuzz. The Orange distortion by itself makes a great rhythm tone.

Electro Harmonix Big Muff PI USA THE distortion overdrive pedal – One Only

Saturday, November 4, Ugly Guitar Truth: And yes, the original name for the mod was Chernobyl, as in the massive nuclear disaster at the Chernobyl nuclear power plant. At first glance I thought that the name was metal AF, but then I thought about naming a product after a horrible tragedy and profiting off it. So I support the name change.

Other than the name, there are some interesting things about the pedal.

V7C QUICK IDENTIFIER – First Edition- Tall Font: Thick cast metal box bottom with ridges on the sides, a plastic battery door cover, all green color, tall Big Muff Pi font, gray knobs or black dimple top knobs, four outer screws.

Why don’t I “Appreciate Music”? I’ve had a few people in my life tell me that I don’t appreciate music. I rarely listen to music, but when I do I listen to blues and maybe some heavier stuff, and I play guitar for hours a day. Why don’t I “appreciate music”? Does music mean more to other people than it does to me? Job Help for 17 year old? My Mother just got fired again, we stay at these people’s house in southern california and I was wondering if there’s anyway I could get a job to help us eat?

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Electro Harmonix Deluxe Big Muff Pi Review – Best Fuzz Distortion Pedal?

The pots are what the knobs are mounted to, essentally manually adjustable resisitors that control the voltage across a circuit. The codes were created by the Electronic Industries Association EIA in s to identify the product source and date of manufacture. The first string of numbers is usually the part number, or sometimes the pot value. In the second string of numbers, the first three numbers are a code identifying the manufacturer.

The next two numbers after the manufacturer number are the year, and the last two numbers are the week of the year the pots were made. So a pot stamped is a CTS pot made in the 33rd week of

The Russian made Big Muff pots also lack date codes. POT TYPES and REPLACEMENTS – Vintage USA Big Muffs have single-gang linear taper 24mm k potentiomers. Electro-Harmonix used pots from various makers, but they were usually the 24mm size, with 1/4″ knob posts.

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Big Muff Comparison